The Water Carriers of Time

The Bhistis, also known as water bearers, have been instrumental in supplying water to the residents of Kolkata for centuries, especially during the pre-piped water supply era. Their distinctive trade, traditions, and way of life have left an indelible mark on the city’s collective memory.

The Bhistis trace their origins to the Mughal period when they were appointed as water carriers by the ruling emperors. Over time, they migrated to Kolkata and became an integral part of the city’s social fabric. Equipped with large, leather water bags called “Mashqs,” Bhistis would navigate through narrow lanes and crowded streets, ensuring a steady supply of water to households, markets, and even public spaces. Their remarkable ability to carry heavy loads of water and their diligent work ethic earned them the respect and appreciation of the local community.

Beyond their practical role as water carriers, the Bhistis have also contributed to the cultural tapestry of Kolkata. They often gather in small groups, sharing stories, songs, and folklore that have been passed down through generations. Their distinctive attire, including traditional turbans, long flowing shirts, and waistbands, distinguished them as a distinct community. 

However, with the advent of modern infrastructure and piped water supply systems, the significance of the Bhistis and their traditions have gradually diminished. Many have had to find alternative sources of livelihood, and the once-thriving community now faces challenges in preserving its cultural heritage. Efforts are being made by scholars, organizations, and individuals to document and raise awareness about the Bhistis and their contribution to Kolkata’s history.

The Bhistis of Kolkata represent a unique chapter in the city’s cultural history. Although there are just a handful of them left, every morning you would find them walking on the narrow streets of certain parts of Kolkata and leaving behind a trail of water behind them. Their role as water bearers, their cultural practices, and their resilience in adapting to changing times make them a valuable part of Kolkata’s heritage. Preserving their stories, traditions, and way of life is crucial for maintaining the cultural diversity and historical significance of the city.

This story explores the life of one such Bhisti who has been working in Kolkata for almost four decades. The film not only shows his dedication towards his work but also expresses his pride in the profession and his willingness to continue serving water despite his age. 

“Gunga Din” is a poem written by Rudyard Kipling, first published in 1890. The poem tells the story of a heroic Indian water bearer named Gunga Din, who serves as a symbol of loyalty, courage, and self-sacrifice.

The poem is narrated by a British soldier stationed in India during the colonial era. He describes the challenging conditions and dangers they face in the hostile environment. Despite the hardships, the soldiers are inspired by Gunga Din, who faithfully serves them by carrying water and tending to their needs.

Gunga Din is portrayed as an underprivileged and physically inferior individual, yet he possesses an unwavering spirit and a sense of duty. He endures the harshest conditions, risking his life to bring water to the soldiers in the midst of battle.

In the climax of the poem, the soldiers find themselves under attack and outnumbered. Gunga Din, at great personal risk, rushes forward to warn the soldiers of an impending ambush. He is shot and fatally wounded, but his sacrifice allows the soldiers to repel the enemy and emerge victorious.

“Gunga Din” explores themes of heroism, the bonds of camaraderie, and the complex relationship between the British colonizers and the native people of India. It raises questions about societal hierarchies, prejudice, and the value of human life, regardless of social status or background.

The poem has been praised for its vivid imagery, rhythmic verses, and its portrayal of Gunga Din as a symbol of loyalty and the indomitable spirit of the common man.